Reality isn’t made of “things” – but concentrations of energy in the aether. The cymatic photograph you see here is water vibrated 14.4 times a second, a harmonic of Earth’s 24-hour rotation, just below human hearing; a frequency I detected in 2016. At these harmonic frequencies of spin, reality folds into the most complex forms, patterns and energies.
Many of us have seen cymatic images before, but even John Stuart Reid who took this photograph with the CymaScope instrument he invented, says these forms are unlike anything he has seen in over 25 years of cymatic work.
Quest for Knowledge
Here is a journey of discovery into these harmonic principles of creation – how they can be measured and how they piece together into a harmonic matrix which envelops all life, and perhaps consciousness itself.
Whether galaxies or planets or “electrons” or “protons” – all that is, is the result of electromagnetic spin – concentrating and propagating the energy of the aetheric field according to whole-number harmonic ratios and the laws of electromagnetism – according to the most advanced quantum physics.
ORIGIN OF FORM
Here’s another electromagnetic Earth resonance: 10.8 vibrations per second – which I discovered at the same time – and available as a print. This is simply a shallow cuvette of distilled water, about an inch and a half across, photographed from above while being vibrated at 10.8 Hz.
The ability of these specific frequencies to generate forms with this sort of archetypal complexity and Platonic elegance in the universally present substrate of water suggests that all form – both biological, geological, molecular and atomic – comes from this interplay of electromagnetic spin on the universal substrate of energy.
24-hours is G
It turns out, the harmonic frequencies I had detected fit into a harmonic sequence linked directly to the Earth’s rate of rotation. These frequencies are all precise harmonics of the Earth’s 24-hour spin. They form part of a chain of 3rd and 5th harmonics which are exact harmonic fractions of Earth’s rate of spin.
At all scales, from the molecular to the planetary, these specific frequencies reveal something fundamental about how Nature works.
Sacred GEOMETRY
A review of the ancient metrology used to define distance – such as the sacred Cubit, Roman Mile, Greek Mile, Furlong, etc., use these same harmonic frequency numbers – but expressed as fractions of the Earth’s circumference rather than fractions of its rate of spin.
This suggests that the geometry of the surface of the Earth (a spinning energy vortex) reflects in its size the energy generated by that vortex.
It also suggests that our ancient forbears understood these same principles which I am now sharing with you.
Through universal laws of spin and mass, the size of the Earth reflects its speed of rotation – and the size of ancient chambers like Gobekli Tepe, were designed to resonate these specific Earth harmonics. All of nature, life and consciousness are part of this harmonic web.
Sacred Numbers
The coincidences of these frequency numbers with ancient sacred numbers is another insight: 54, 72 and 108 are revered in all sacred texts.
Other aspects of “frequency folklore,” such as the Solfeggio numbers, also turn out to be 11th harmonics in this series, when they are understood correctly.
And even the Schumann Resonance, when measured precisely, may correspond to the 13th harmonic.
Fibonacci
Upon examination, the Fibonacci number is in fact a fractal ratio of harmonic energy propagation: The ratio between a number in the Fibonacci Series and its predecessor it not just an increasingly precise ratio, but a harmonic ratio which includes a fractal “remainder” which is self-reflective of the number before it – a tiny, low-energy mirror of the original frequency, which itself is generating its own spiral of fibonacci musical energy coalescing into matter. These numbers do not represent quantities of matter – the numbers describe rates of vibration between energy in an electromagnetic harmonic series.
ELECTRO-CULTURE
The Fibonacci Series is a way of describing how matter is shaped by the harmonic propagation of electromagnetic energy through the substrate of reality we call “material”.
The potential for using this harmonic-series to optimize plant growth and agricultural yields through electro-culture seems huge.
Music of the Spheres
Nassim Haramein is a quantum physicist, who is deemed “controversial” because he has used both the equations of thermo-dynamics, Einstein’s equations, and the quantum equations of Max Planck and Nils Bohr to accurately predict the size of the universe and the proton. “Controversial” apparently just means, solving problems the rest of mainstream academia cold not.
Foundational to his theory is that the fundamental energy of the universe is not matter but electromagnetic spin in the aether, out of which matter coalesces. The reason mainstream science cannot share this understanding is because it refuses to acknowledge the aether as fundamental (as Newton and the ancient mystics had all done (prana, chi, etc.) – and instead, it clings doggedly to the notion of the vacuum: endless space containing zero matter or energy, with blobs of matter called galaxies miraculously scattered across it like some astronomical junk-yard.
The correspondence between many of Nassim’s published rates of spin at all scales and the harmonic-series presented here is too great to ignore – indicating a universal law of harmonic energy-creation and propagation: a quantum explanation of the ancient idea of the “the music of the spheres”.
Even the natural resonance of water, quartz crystal and the Sun itself participate in this same harmonic-series in which the Earth’s spin participates. And I’m sure, this correlation across the entire Periodic “Series”Table” of Elements will be revealed in time, proving Walter Russell’s theories that all of the universe is a musical interplay of light.
ALCHEMY
The latest quantum equations suggest that these “spin-phases” may also underlie reality at all scales – “funda-mental” to space-time, the hidden chords of creation – supporting the possibility of alchemical transmutation and resolving the random separation of “medicine”, “music”, “physics”, “chemistry” and “spirit” into an integrated understanding of the wholeness-of-being. Much of the knowledge used by Malcolm Bendall to transform Carbon emissions into Oxygen using his “thunderstorm generator” after-burner for combustion engines use these same harmonic frequencies.
The possibilities of applying this knowledge to energy capture and transformation seem open and vast.
Tuning
As a musician, I have long been drawn to finding a fundamental pitch from which all harmony arises: a fundamental vibration underlying the simple physics of harmonics and linking aesthetic beauty to the foundations of reality – connecting what we perceive to be beautiful and sacred to the foundations of reality. This was the motivation which led me to discover Earth’s harmonic-series in the first place.
In addition, I have worked out that the so-called “cycle of fifths” is really a fractal spiral of 3rd-harmonic energy propagation – where the so-called “wolf-tone” or “leimma” or gap between the starting frequency and the ending frequency (having traversed all 12 of the “perfect 5th intervals” from a starting frequency to return to a frequency close to the starting frequency) is a fractal sub-octave of the frequency you started with.
And that there are historical references to these frequencies – our ancestors understood this stuff.
With these frequency insights, I have created harmonic musical scales, and am collaborating on musical sound immersions with them. Since then, artists like Craig Pruess, Stellar, Ofshane, J Rokka and others have embraced these frequencies and joined in this musical connection to the frequencies of space-time consciousness. Maybe you can too.
Frequency Medicine
If you do nothing more than listen to these vibrations, your world will become sweeter, your body will feel more at ease, your thoughts will feel more aligned with nature – and you will feel more relaxed and blissed.
In the past few years, I have collaborated with wellbeing practitioners, using these frequencies as a mechanism for dance, meditation, and energetic shift.
By tuning music to these frequencies, or simply playing the low frequencies themselves, we have witnessed powerful effects of energetic-release and re-alignment for our clients, including near-death experiences and miraculous healing of energetic trauma.
Our visit to the Science Of Consciousness Conference in 2025 highlighted how cutting-edge neurological research is hinging now on theories of non-local consciousness and the idea of a framework of harmonic interconnection as the timeless fabric of instantaneous update of the field with every though and creative act.
The focus to develop healing modalities, such as for Alzheimer’s, using direct light and sound stimulation of the brain can be, I predict, greatly improved by employing this specific harmonic-series. I believe I know what the correct frequencies are – and by reading on, so will you.
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